28th IBC Results
Wed Feb 8 09:46:21 EST 2012
Blues "nazis", "snobs" etc may exist to some extent but I think we are
"arguing" over something more than blues purity. I live in a town where
the Bluesfest features such blues icons as KISS. It is a matter not of
purity but the total denial of reality (like WMD's). In that case, I am
quite prepared to practice my goose stepping.
Something else missing a lot of times IMHO IS "authenticity". And by
that I don't mean in a historical or roots sense, I mean "feeling". It
too often seems as if the band is kind of sitting outside watching
itself, instead of being inside the music. A rote/lip-sync 1-4-5 if you
Maybe in the past they were hungrier ... or maybe I was. Maybe in my
dotage I have become not a "nazi", "snob" or "elitist" but ......... a
blues curmudgeon. :)
On 12-02-08 08:45 AM, Chuck Winans wrote:
> Describe the whole group? Not at all. Not any more than all Germans in the 1930s were nazis. There is a loud, militant faction within every large group, often heard and never swayed from their talking points -- not even when the rationale of their argument no longer holds any water. Happens in every profession.
> Of course there is something missing in a lot of the blues being produced today, in terms of authenticity as many define it. The originators have died.
> On Feb 8, 2012, at 7:03 AM, Jonny Meister<bluesandbeyond@GMAIL.COM> wrote:
>> I don't think "traditionalist snob" or "blues nazi" or "folk nazi"
>> are terms that fairly describe the whole group of people who feel, as
>> Bonni does, that something's gone awry here. Some people are totally
>> opposed to any change or closed off to any new ideas in a musical
>> genre, but you don't have to be that way at all to feel,
>> nevertheless, that there is something missing in a lot of the blues
>> coming out now, and that some magical quality that made you love
>> blues in the first place isn't there in a lot of what is now being
>> promoted and talked about as blues music. I think Brandon O. Bailey
>> is pretty innovative and modern, yet is also really "blues" in a true
>> sense; but so many of these bands we're hearing now are really more
>> blues-flavored rock, good at what they do, but it's not really solid
>> blues - - a call I think one can legitimately make without
>> necessarily being a "purist," "snob," or whatever.
>> The marketplace, the economics of it, what sells and what doesn't,
>> has always been very important; it certainly was for Sam Phillips and
>> is for labels and major blues organizations today too. It is a
>> struggle for them to survive. It definitely saddens me... that's why
>> festivals are so important (at least some of them!). They present
>> blues artists who can't get booked at clubs because they are unknown.
>> The festivals thrive because they are events in and of themselves,
>> that appeal just for being fun events - - though they also bring in
>> some of these artists. At a blues festival you will encounter folks
>> who know a lot about the music and some of the performers, but even
>> more folks who know very little but just want to come out for the
>> fun, and may buy some albums too.
>> As always, the true blues seems to survive on the periphery by the
>> skin of its teeth.
>> At 06:49 AM 2/8/2012, Chuck Winans wrote:
>>> There are "traditionalist snobs" attached to every style of music...
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