Fw: Re: B. B. King gets his question answered
Wed Mar 30 07:59:54 EST 2005
I'm mindful of this when I interview older blues artists. People
always want to know what it was like to work with Muddy Waters or
Magic Sam, etc. I may get around to asking those questions, but not
before I've focused on the artist and his own work. It's not only a
simple matter of respect, but if you do your homework, you invariably
find a wealth of contributions of the artist himself. People need to
It's so easy to focus on the blues legends, but I've found some of my
favorite music by exploring the lesser-known people.
On Tue, 29 Mar 2005 23:28:53 -0700, Fred Dabney <firstname.lastname@example.org> wrote:
> > Anyone who thinks of him only as the stepson of Robert Johnson hasn't
> > looked very far and is missing some damn good blues.
> There is a problem with being an artist who is known, by many
> at least for a relationship and not for his own work It happens
> a lot.
> I can remember hearing Stephan Grappelli complaining gently
> about people asking him about Django, without even mentioning
> his own work in later years after Django had died. It wasn't
> that Stephan objected to the questions per se, just that
> he resented the fact that some folk didn't even seem to know
> he was still an active musician who was even better than he
> had been during the days of the QHCF.
> Fred D.
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