Thu Jun 24 14:37:53 EDT 1999
In a message dated 6/24/99 7:56:52 AM, firstname.lastname@example.org writes:
<<In the end though I'd say that, in my experience, I don't think most
could really hear the difference between a record that is weak because of
over produced or being under produced. In other words, the things that make
unexciting or weak blues record are the fault of the artist at least as often
the fault of the producer.
Very true, I think it is a cop out for the artist to blame the producer, but
probably the same for the producer or record company to blame the artist. It
happens on both sides.
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