Off Key (music theory content)

Bill Salmon netfest@MYCROFT.MEXIA.COM
Wed Jul 30 11:52:42 EDT 1997

The original post was mine.. sometimes when people reply they snip or otherwise remove the address of the original poster, a bad practice as it causes confusion and hard feelings.. to repeat, I ORIGINALLY POSTED THIS MESSAGE.. although the reply may have been Mike Curtis, it does sound like him

Sorry Ruth..

Bill Salmon
From:   Ruth Vadi[SMTP:ruth_vadi@HOTMAIL.COM]
Sent:   Wednesday, July 30, 1997 8:50 AM
To:     Multiple recipients of list BLUES-L
Subject:        Re: Off Key (music theory content)

>> ---Ruth Vadi <ruth_vadi@HOTMAIL.COM> wrote:
>> >
>> > >)..)but isn't much of the "modern art" of such greats as Picaso =
>> > >describable as just this type of disharmony?
>> Absolutely not. It depends on which Picasso one is discussing; in
>> of his works he pays homage to and reinterprets the classic forms of
>> the Greeks (e.g., circus figures).
>>  In poetry, how about the =
>> > >whole stream of conscience school and it's intentional
>> disassociation?
>> Stream of consciousness is not dissacociation. It is supposed to
>> follow the subjective thoughts of one character and if anything if
>> very very associative; links are made among apparently disparate
>> which are entirely subjective to the character, to his or her
>> emotions, thoughts, rememberances, etc. It is a way of unifying the
>> chaos of reality.
>> > >or a rose is a rose.. is a rose..
>> This is Gertrude Stein's way of liberating words from context,
>> by repetition their multiple, if overlapping, meanings.
>> OM
Uh....  I didn't say any of that.
I don't even know half those words.
And I was an English major for two years.
Sounds Mike Curtisy to me.

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